Sounds like this
11-22 March 2019
About SOUnds like this
Sounds Like THIS is an eclectic, diverse and boundary-pushing festival based in Leeds. We present cutting edge music, sound art and visual installations by leading artists and emerging talent working across a broad range of disciplines.
Sounds Like THIS gives a voice to new and exciting music which is traditionally under-represented in the mainstream, presenting work which is intriguing, engaging and challenging. Featured works are predominantly new or created in last five years.
Sounds Like THIS looks to the future of music, and celebrates artists who take risks and push boundaries.
More information about the artist line-up for Sounds Like THIS 2019.
“Fascinating and inventive, reshaping our expectations constantly.” – Sydney Morning Herald
Beth Orton is one of the most unique and beguiling voices in British music. Over two decades she has proved herself to be a peerless artist able to effortlessly bridge the previously unseen musical gaps between the Chemical Brothers and Bert Jansch. Pairing her inimitable voice to a synthesis of electronic and acoustic instruments, Beth started out as both an outlier for the nascent UK folk revival and a one of the few recognisable faces at the forefront of the mid ’90s dance scene. She earned a Mercury nomination with her first album ‘Trailer Park’ and won the Brit Award for Best British Female Artist with the follow up, ‘Central Reservation’.
Throughout her career, Beth has consistently challenged perceptions of her music - both as a solo artist and in collaboration with musicians and producers as diverse as Four Tet, Terry Callier, Emmylou Harris, Johnny Marr and Nick Cave. Her stunning sixth album ‘Kidsticks’ was co-produced with Andrew Hung of experimental electronic noise band Fuck Buttons. Hailed as a triumph, it was described by Music OMH as “comfortably among the best things she’s ever done. A delightful return.”
11/03/2019 | Tickets on sale January 2019
tippett & bourne + ISOTACH
Witness two of Britain’s most adventurous jazz pianists play together for the first time – on two grand pianos.
A seminal figure in the evolution of UK jazz since the 1960s, Keith Tippett has forged his own ever-evolving sound as both composer and improviser. Thirty years his junior, Matthew Bourne has similarly explored the horizons of jazz and contemporary music, on both analogue synths and the acoustic piano.
Inspired by Tippett’s suggestion to ‘do some playing together’ in late 2016, this new and exciting musical partnership between two maverick pianists, a generation apart, is a meeting of like-minded but distinct individuals: both are mesmerising live performers, famous for their idiosyncrasy, virtuosity, and non-conformity.
Marking a key point in Tippett and Bourne’s simpatico relationship, which has spanned some 20 years already, they are finally joining forces to make new music together.
Opening the concert is the acoustic trio Isotach of Bourne’s most recent album release. With an atmospheric, wide open palette, piano, cello and viola delicately circle each other. Space, a hymn-like reverence and harmonic beauty permeate this exquisite suite of instrumental songs.
12/03/2019 | Tickets on sale January 2019
Aïsha Devi live AV ft. Emile Barret
No one on this planet sounds like Aïsha Devi. Her voice is her most powerful tool in a repertoire that includes thumping beats and rave stabs, seraphic and guttural throat singing, mystical linguistics and corporeal sonics. Her music is spiritual and her live shows are transcendent experiences. She is a rebel and a radical alchemist who is breaking down barriers and traversing dimensions with her art.
Born by the Swiss alps with Nepalese-Tibetan heritage, a transversal of cultural and spiritual identity was forged, guiding both her personal and creative process as a non-conformed seeker. Devi applies meditation techniques in her approach to production and performance, channeling metaphysical research, ritualistic practice and healing frequencies into an alternate club paradigm. Dislocating pop culture, also evident in her mixes for NTS, FACT, and Mixmag, is one of her foundational tools and stylistic signatures.
In 2013 Devi co-founded Danse Noire, a label collective supporting insurrectional club music from around the world, where she released her breakout single ‘Aura 4 Everyone’ followed by ‘Hakken Dub / Throat Dub’ in 2014, giving context to her universe alongside artists including Vaghe Stelle, El Mahdy Jr., J.G. Biberkopf, GIL and IVVVO.
In 2015 Houndstooth released Aïsha Devi’s debut album, ‘Of Matter And Spirit’, a significant sonic statement rich in political and philosophical subtext. 2018 saw the release of Devi’s sophomore album, ‘DNA Feelings’, her most accomplished statement to date, addressing how music can alter the fundamental vibrations of our material world and the very fiber of our being. The process led her to collaborating with Chinese visual artist Tianzhuo Chen on videos featuring profane and sacred iconography, as well as theatrical dance performances together with the Asian Dope Boys, most notably at The Barbican and The Broad museum. Photographer Emile Barret is another longtime artistic collaborator, touring throughout the world with their spatially disruptive audiovisual show. But Aïsha Devi is just as magnetic performing solo. With her mesmeric digital mantras and a captivating stage presence she’s bowled over crowds at CTM, Mutek, Unsound, Boiler Room and countless festivals and venues from Siberia to Mexico and beyond.
15/03/2019 | Tickets on sale January 2019
Watch: Aïsha Devi
Susan Rogers holds a doctoral degree in experimental psychology from McGill University (2010). Prior to her science career, Susan was a multiplatinum-earning record producer, engineer, mixer and audio technician. She is best known for her work with Prince (1983-1987) but production/engineering credits also include David Byrne, Barenaked Ladies, Geggy Tah, Nil Lara, Robben Ford, Tricky, Michael Penn, and Jeff Black. She is currently a Professor in the departments of Music Production & Engineering and Liberal Arts at Berklee College of Music, Boston, where she teaches music cognition, psychoacoustics, record production and analog recording techniques. Susan is the director of the Berklee Music Perception and Cognition Laboratory for investigating the influence of musical training on the auditory pathway.
18/03/2019 | Tickets on sale January 2019
Watch: Susan Rogers